In the 1950s, Picasso’s anti-war and humanistic ideals shone brightly in his work. In 1950, he created the “Dove of Peace,” and in 1958, the gouache “Carnival,” donated to the French anti-war group “Combat Pour La Paix” with permission for a limited lithograph edition. The 1958 “Carnival” lithograph, based on the gouache, is a vivid example of this period. Printed on Arches paper at Paris’s Atelier Mourlot and published by Yamet Arts, it was released in 300 numbered copies, including 50 artist’s proofs (EA). A rare EA copy, signed and numbered in pencil by Picasso, underscores its unique value. “Carnival” stands out with expressive lines, vibrant colors, and the image of a jester — symbolizing irony and wisdom. The jester as king echoes commedia dell’arte traditions, reimagined inPicasso’s distinctive style. This lithograph not only showcases his mastery but also ties art to societal ideals, reflecting his ability to transform the personal into the universal. “Carnival” remains a significant artifact of the era.